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The New Yorker "Not everyone can put up with Messiaen’s Catholic ecstasies, but his canonical status seems assured, and his devotees are numerous and zealous. Paul Festa, who has made a remarkable film, “Apparition of the Eternal Church,” about the experience of listening to Messiaen, suggests that the composer has become the focus of a new kind of nondenominational religious feeling, distinct from Catholicism. Messiaen might have been horrified by the notion, but his binding together of sensual and spiritual impulses is a force that acts upon diverse audiences with unpredictable intensity."
"A knock-out Messiaen-on-acid documentary."
"The elements of religion, emotion, violence and sex in the film bring to light the collision between the human and the divine, the emotional and the spiritual."
"Stunning...perhaps the finest film ever made on how people experience music, and one of the best-crafted and moving documentaries in a very long time."
"Remarkable...intensely personal...nothing can quite prepare you for the experience." "A wonderful film."
"Fascinating."
"May be the best description of the Messiaen effect on record...circles around the mystery of music and subjectivity and touches down on a head-spinning array of topics...a bravura performance, not to be missed."
"Two NYC events should be added to the calendar: 1) a screening of Paul Festa's remarkable documentary Apparition of the Eternal Church at St. Bartholomew's Church on Feb. 27, with live performances of L'Ascension, Offrande au Saint-Sacrement, and, of course, the Apparition, along with what appears to be the New York premiere of the Fantaisie for violin and piano..." "Takes the documentary to a new and more intriguing level...wickedly funny...the interview subjects are among the most extraordinary I have ever seen or heard in a documentary. " (full transcript of the original interview with the Press-Register, posted by the Mobile Arts Council)
"It's not like any other film I've ever seen - and I've seen a lot of films."
"Move over, blues and gospel shouters. Make way for French composer Olivier Messiaen, and let him shake, rattle and roll a movie audience with deafening organ crescendos."
"Festa, based in San Francisco, has put together 31 colorful interview subjects that likely would chase Ken Burns off the premises."
"I mentioned the widely loved harpsichordist and organist Albert Fuller immediately below; there is now a blog devoted to his unpublished writings and memorials to him. He makes a memorable appearance in Paul Festa's mesmerizing documentary Apparition of the Eternal Church, in which people from various walks of life (including none other than Justin Bond of Kiki & Herb) react to Messiaen's early organ masterpiece."
"Un curioso e interessante esperimento, una testimonianza fuori dai canoni sul potere ancestrale a musica ancora
in grado di esercitare."
"Apparition of the Eternal Church, which will be Sunday night's feature screening at the Santa Cruz Film Festival, more than lives up to its billing as an experimental documentary. The San Francisco writer/musician/filmmaker's subjects include one woman with flaming antlers, two drag queens, a half-dozen professors and countless actors, musicians and artists--all of whom are individually subjected to a single piece of music, Olivier Messiaen's 1931 Apparition de L'Eglise Eternelle."
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